Sources Cited

 

For more extensive lists of references, see Bel Canto: A Performer’s Guide (Oxford University Press, 2013) and With Passionate Voice: Re-Creative Singing in Sixteenth-Century England and Italy (Oxford University Press, 2014).

 

 

Addison, John. c.1850. Singing, Practically Treated in a Series of Instructions. London: D’Almaine and Co.

Algarotti, Francesco. 1767. An Essay on the Opera. London: L. Davis and C. Reymers.

 

Anfossi, Maria. c.1840. Trattato teorico-pratico sull’arte del canto . . . A Theoretical and Practical Treatise on the Art of

     Singing. London: By the Author.

Anonymous. c.1630. Il corago, o vero alcune osservazioni per metter bene in scena le composizioni drammatiche. Ed. Paolo

     Fabbri and Angelo Pompilio. Florence: Olschki, 1983.

 

Avison, Charles. 1753. An Essay on Musical Expression. London: C. Davis, 1753. Reprint, New York: Broude, 1967.

 

Bacon, Richard M. 1824. Elements of Vocal Science. London: Baldwin, Cradock, and Joy. Ed. Edward Foreman.

     Champaign, Ill.: Pro Musica Press, 1966.

 

Balfe, Michael William. c.1850. Italian School of Singing. London: Cramer, Beale, and Co.

 

—. 1857. A New Universal Method of Singing. London: Boosey and Sons.

 

Caccini, Giulio. 1602. Le nuove musiche. Florence: Marescotti. Ed. H. Wiley Hitchcock. Madison, Wisc.: A-R Editions,

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—. 1614. Nuove musiche e nuova maniera di scriverle. Florence: Pignoni. Ed. H. Wiley Hitchcock. Madison, Wisc.: A-R

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Castiglione, Baldassare. 1588. The Courtier [polyglot edition of Il libro del cortegiano]. London: John Wolfe. First published

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Cavalieri, Emilio de. 1600. Rappresentatione di Anima, et di Corpo. Rome: Nicolò Mutij.

 

Clement, Francis. 1587. The Petie Schole. London: Thomas Vautrollier. Facs., Leeds: Scolar Press, 1967.

 

Corri. Domenico. c.1781. A Select Collection of the Most Admired Songs, Duetts, &c., 3 vols. Edinburgh: John Corri.

     Reprint, Richard Maunder. Domenico Corri’s Treatises on Singing, vol. 1. New York: Garland Publishing, 1993.

 

—. 1810. The Singer’s Preceptor. London: Longman, Hurst, Rees, and Orme. Reprint, Richard Maunder. Domenico Corri’s

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Corri, Haydn. 1826. The Delivery of Vocal Music Simplified. Dublin: Bunting, Walsh, Pigott, and Sherwin.

 

Duey, Philip. 1951. Bel Canto in Its Golden Age. New York: King’s Crown Press.

 

Elyot, Thomas. 1546. The Boke Named the Governour. London: Thomae Bertheleti.

 

Ferrari, Adolfo. 1857. The Formation and Cultivation of the Voice for Singing. London: By the Author.

Feski, J. 1833. Caecilia 15, p. 270 [paragraph on tempo variation]. Mainz, Paris, and Antwerp: B. Schott’s Söhnen.

 

Ffrangcon-Davies, David. 1905. The Singing of the Future. London: John Lane.

 

Fraunce, Abraham. 1588. The Arcadian Rhetorike. London: Thomas Orwin.

Frescobaldi, Girolamo. 1615. Toccate e partite d’intavolatura di cimbalo, libro primo. Rome: Borboni. 2nd enlarged edition,

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García (the Younger), Manuel. 1857. New Treatise on the Art of Singing. London: Cramer, Beale, and Chappell.

 

Gardiner, William. 1832. The Music of Nature. London: Longman, Rees, Orme, Brown, Green, and Longman.

 

Giustiniani, Vincenzo. c.1628. Discorso sopra la musica. Lucca: Archivio di Stato, MS O. 49. Ed. Angelo Solerti, Le origini

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Griffith, Allan A. 1865. Lessons in Elocution. Chicago: Adams, Blackmer, and Lyon.

 

Hamerton, William Henry. 1821. Vocal Instructions. London: By the Author.

 

Hart, John. 1551. “The Opening of the Unreasonable Writing of our Inglish Toung,” 1551 (British Library, Royal MS

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Kitchiner, William. 1820. “Observations on Vocal Music,” Preface to Ivanhoe. London: Goulding, D’Almaine, Potter, and

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Lago, Giovanni del. 1540. Breve introduttione di musica misurata. Venice: Brandino & Ottaviano Scotto. Facs., Bologna:

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Lanza, Gesualdo. 1820. Elements of Singing. London: Chappell and Co.

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Mancini, Giambattista. 1774. Pensieri, e riflessioni pratiche sopra il canto figurato. Vienna: Stamparia di Ghelen.

 

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Molineux, John. 1831. The Singer’s Systematic Guide to the Science of Music. London: Goulding and D’Almaine.

 

Nathan, Isaac. 1836. Musurgia Vocalis. London: Fentum.

 

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Ornithoparchus, Andreas. 1517. Musice active micrologus. Leipzig: Valentin Schumann. Trans. John Dowland, Andreas

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Peacham the Elder, Henry. 1577. The Garden of Eloquence. London: H. Jackson. Facs., Menston: Scolar Press, 1971.

Peri, Jacopo. 1600. L’Euridice. Florence: Marescotti.

 

Philipps, Thomas. 1826. Elementary Principles and Practices of Singing. Dublin: J. Willis and Co.; London: Longman, Rees,

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Poliziano, Angelo. 1498. Omnia opera Angeli Politiani. Venice: Aldus Manutius. Available in microform: Italian Books before

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Sheridan, Thomas. 1781. A Rhetorical Grammar of the English Language. Dublin: Price, et al. Reprint, Menston: Scolar

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The Singer’s Assistant. 1821. London: Chappell and Co.

 

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Trissino, Giangiorgio. 1524. I ritratti. Rome: Arrighi.

 

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Vanneo, Stefano. 1533. Recanetum de musica aurea. Rome: Valerio Dorico. Facs., Kassel: Bärenreiter, 1969.

 

Vicentino, Nicola. 1555. L’antica musica ridotta alla moderna prattica. Rome: Antonio Barre. Facs., Kassel: Bärenreiter, 1959.

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Wass, John. 1855. Universal Singing Method. London: Boosey and Sons.

 

Welsh, Thomas. c.1825. Vocal Instructor or the Art of Singing. London: Royal Harmonic Institution.

 

Williams, Thomas E. 1834. A Treatise on Singing. London: By the Author.

 

Wilson, Thomas. 1553. The Arte of Rhetorique. London: Richardus Graftonus. Ed. Thomas J. Derrick. New York:

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